Author: Henry Niccodemus

“Kick” by Rhys, is a lively and catchy rap song. Its simplistic approach is thrilling. Rhys is a young enterprising artist who is looking set to take the rap stage by storm. He is characterized by his fresh sounds and buoyant personality.

His unique voice in this song is something you will definitely love and would catch your attention at any time. In this rap song, Kick was true to his style and character. This song has the potential of being a fan favorite and would always receive positive reviews for the intricate lyrics, the musical instrument used, and his storytelling abilities. He is one who says his mind without holding back in his rap songs and should be given the respect he deserves.

Rhys is gradually developing into his own while carving a niche for himself. Furthermore, Kick provided Rhys with the platform to push through the boundary, also using his human voice as an instrument. For this effort, you wouldn’t describe him as a backpack rapper as his ambition is mixed with pure confidence in his own skills.

Kick illustrates Rhys’ personal feeling toward fame while showcasing his musical novelty. It also reveals his social commentary skills. He raps about what he was passing through at that stage of his life.

As is epitomized in the lyrics below

“We don’t fight for revenge

We fight for what is right”

 At this rate, his career would reach a new height if he keeps churning out tracks like this. To capture his personal feelings in his rap is just bold as he recognized his boundaries and pushed beyond them.

With this song, he definitely has the potential to broaden the demography of fans. His pop/RnB blend of hip hop will offer a brand new sense of variety. Rhys is indeed generic.

Check out his instagram and you will see this upcoming star free styling.

The synth beats and other instrumentals match the key of the song as they add more vibes to the flow. LALWEM Clark’s all-around zealous attitude and ability can be felt when listening to the song. There is a special feel that wraps the air whenever you’re listening to this track. A feeling that only someone with LALWEM Clark’s conviction can bring on board as his energy is contagious!

LALWEM Clark’s rap song, “Ride The Wave” is hot… and I mean SPICY hot… as LALWEM Clark spits Fuego through his audacious punch lines. The song is about moving on in life, irrespective of what life throws at you and (or) the situation you’re in. Most certainly in life, there will always be “ups and downs”, but your ability to forge a path and do the things you enjoy amidst the socio, cultural, political, and economic problems are all that matter.

As depicted in an excerpt of his thought-provoking lyrics:

“What do I mean when I talk about waves,
Them current events that shape our days
They bring us joy or cause dismay
Whether good or bad there here to stay…
…Mental healths toxic, while in Beirut a bomb hit
Mom & Pops steady losing profits leads to unstable economics
But… let’s not even mention,
All the racial tension
People losing pension… with benefits suspended…”   

The flow is intelligently simple with no ambiguity or complexities. In one word, it is “dope”. Equally, there is a smooth transition between the hook and the verse, where his baritone vocals also blend easily with the totality of the instrumentals employed in the track.
Clark’s poetry over music imparts a familiar mainstream feel, but with a touch of uniqueness that’s a refreshing break from the repetitive rap vibes, everyone is trying to copy. Simply stated, although different and maybe off-putting to some, Ride The Wave has the potential to become a new age classic!

Khali Flock is making waves in the art of contemporary rap music. In his single, “Savage Shit” he raps about making money and living large but money, power, and respect also bring about haters, enemies, and betrayals. But their criticisms and antics would never break him while also keeping him going at the same time as depicted in the line “I feel like I have finally made it”.

Khali Flock is making waves in the art of contemporary rap music. In his single, “Savage Shit” he raps about making money and living large but money, power, and respect also bring about haters, enemies, and betrayals. But their criticisms and antics would never break him while also keeping him going at the same time as depicted in the line “I feel like I have finally made it”.

In the music, the reverberating beats were expertly played as they help to give the song a defining bass which in turn, helped to maintain the energy therein throughout the duration of the song. His catchy punch lines are equally ‘dope’ and project the theoretical realities of the will power to earn respect. This is the basis of survival in the streets, otherwise, the streets will consume you. He brings all this to life with his unique delivery as can be felt when listening to this song.

His vibes are contagious as the song will have you move and sway your body in matching and flowing dance steps.

His tenacity in getting into character in the music video speaks volumes of his uncommon acting skills.

In the music video, different scenes of him displaying wads of money, drinking exotic wines, and rapping outdoors and behind closed doors alternates with scenes of his associates by the poolside, fast cars, and video vixens doing their thing. With money, fame, power, and friends around, every day is party day

The lyrics contain strong languages, therefore, parental control should be activated for persons below 18years of age

“Miami Nights 1984” makes a comeback by creating the Full Soundtrack for Flinch – a 2021 Film about a Hitman
The album for the movie “Flinch” contains spontaneous synth wave tracks. The style of the synth-wave is unique, quintessential, very catchy, and original.

Of course, you can get a feel of Miami Nights 1984 signature riffs throughout the track, which most certainly are over the top. This underscores the hard work put in by Miami Nights 1984, which is an essential attribute or ingredient needed to deliver topnotch tracks for the listening pleasure of the fans. The tracks on the album elicit a lot of nostalgic feelings. This can easily pass for the soundtrack of my life and can fit into 80s tv series, soaps, or action movies. The tracks Possess a variety of spices, ranging from soft, smooth, downtempo slow chill ballads or cool energy track to atmospheric, blood pumping, up-tempo tracks.

In addition, there is also a mysterious and discrete aura around the album, but it is all for good measure. The sounds are aesthetically beautiful and well composed with analog based instruments and virtuals like Ableton, DMX, Drumtrax, MN84 edition, Kiwi106, JX3p, tx81z, EMAX, Prophet6, and a host of other exciting synth instruments 

The album is a special one as it would give the fans a good listener’s experience. Miami Nights 1984’s touch is delicate and professional. Equally, “Watching” and “She didn’t flint” are tracks on the album that are capable of hitting the right emotional gear in you while retaining the carefree feel of the ’80s. Other tracks on the album are “Intro”, “Church”, ‘Pull up”, “Doyle”, “On My Own”, “The girl”, “The Job”, and “Getting Messy”. These tracks all belong to the genre of soundtrack music with epic lead inspired by Miami Nights 1984’s imaginations and creativity which also encompasses the music, the cars, and the girls, showcased in the movies of yester years

Maryon’s new single titled “Hustler” is hot, full of sauce, and real. It is a feminist pop-rock anthem about the challenges faced by ambitious female songwriters. It emphasizes their frustration in a male-dominated industry. Maryon possesses a vocal range and strength that are “cynosures of all eyes”.

Her songwriting acumen is equally top-notch which can be noticed in the track as it fiercely re-introduces her after years of writing songs for others and herself. This songwriting experience gathered over the years would prove invaluable in this song as it remains true to her character. She is influenced by pop heavy weights such as Madonna, Lorde and Kate Bush while sharing similar vocal characteristics and uncompromising artistry vision with her influences.

With respect to the cancellations of important dates and other live performances this year, she felt more need to work harder on her own project to compensate for that period. Rather than discouraging her, the circumstances fueled her to come up with “Hustler”.

The events surrounding the writing and the production of “Hustler” equally reflects the “never give up in the face of adversity” theme of the song. This says a lot about her attitude, mental strength, and undying love for making good organic music. The song opens up with finger-snapping at the regular beat intervals and a whistling sound (for 8 seconds) to an acoustic guitar playing in the background while her pitch-perfect vocals cue in afterward as she starts singing. Her voice is deliciously electrifying while the instrumental synths and beats serenade in the background, projecting the sound further without overshadowing or suppressing her soprano vocals. She was also able to execute some risks successfully while adapting her vocals easily in some parts of the song where the key is high.

Overall, this is a great song and can be compared with the likes of Avril Lavigne’s and Vanessa Carlton’s.

She can be contacted via the following links

International Recording Artist Omari Familiar to Reggae and Gospel fans for his hit songs, (Help, Why, Jehovah Guide Me, Impossible feat. Papa San, God a Guide, and Heart and Soul), Omari is creating waves in the music industry. The song Help was praised in The Star Newspaper as “one of the hottest and most inspirational gospel songs in the industry”. Born Andrew Omari Edwards on February 3, 1980, his dynamic voice, spectacular writing skills, and exceptionally warm personality has been opening doors unsuspected to his wildest imagination. In 2010, Omari copped the IRAWMA award in the category Best Gospel Song. He has also received five (5) Marlin Awards nominations and won for Reggae Recording of the Year in 2008. He was nominated for three Reggae Academy Awards, in the categories: Best Solo Male Vocal Gospel Performance, Best Gospel Song, and Best Gospel Music Video. Additionally, he got a nomination in the Excellence in Music and Entertainment Awards (EME Awards) for Gospel Artiste of the Year. He recently won Gospel Artiste of the Year Award for the MIA Awards and was nominated for the Youth View Awards for 2014 & 2015. He is also the recipient of three Megajamz Awards, including that for Lyricist of the Year 2008 for his song “Why”. Omari has made appearances on shows such as the Annual Gospel Festival, Best Dressed Fun in the Son, Sting (2008), Richie Stephen’s Take Me Away (2009), Rebel Salute (2009), TEMPO Turns 2 & 3 Concerts, A Better Tomorrow, Sting and several other main events. He has shared stages with several renowned artists, such as Kirk Franklin, Donnie McClurkin, Papa San, Israel Houghton, Alvin Slaughter, Carlene Davis, Tony Rebel, Queen Ifrica, Shabba Ranks, Chronixx, Nomaddz, Beres Hammond and Taurus Riley. Omari has worked with notable producers in the Gospel and secular industry, such as Christopher Birch, Danny Brownie, Arif Cooper, Donovan Germain, Kurt Riley, Tony Kelly, Romeich Records, Notis Productions, Frankie Music and most recently Chimney Records, Troyton Music, DJ Sadic and Saint P from Africa. Omari is truly an artist for all seasons. His Album “Heal Jamaica, Heal the World” was written to uplift the hearts of the downtrodden and consists, for the most part, of prayers to God on behalf of the nation of Jamaica. The songs are also written with an international flavor aimed at creating an appeal to the overseas market, for gospel music and Jamaica. Joined by his own Royal Movement Band, Omari is currently writing music for his brand new double-disc album. His goal is to take his ministry to a greater level without compromise. He welcomed 2016 in the country of Kenya Africa as part of the Groove Party artists’ line-up where he shared the stage alongside Kenyan Gospel sensation JFam, on the afro-pop & reggae-driven single, “WAVE”. The collaborative effort was written by Omari and JFam and was produced by Kenyan producer, Saint P, who has produced for several African artists. Furthermore, a video for the single was also shot on location in Kenya. “WAVE” has been in rotation on MTV Kenya, Trace TV, and citizens TV with viewership of over twenty million. In 2016 he did his first tour with International gospel artist Papa San. The tour spans across the tri-state area. In 2018 he accompanied Beres Hammond on the Florida leg of his tour Featuring other acts such as Third world, Daville, and Singing melody. He recently shot a video for his new single “I AM HEALED” from the healing project produced by Troyton music, he’s also planning to release his new album “ROYALTY” in twenty twenty as he prepares for a number of events within Africa the Caribbean and the USA. Omari is on a mission to take his ministry far and wide one person at a time and city at a time until everyone hears the message of Jesus Christ and receives HIM wholeheartedly. Social Media: IG/Twitter @omari_music Facebook: Omari Email: omarimanagement6@gmail.com

Contact:
Omari
Omari Edwards
954-934-5700
omarimanagement6@gmail.com  

Links:
I Am Healed: https://youtu.be/j_eLr9vO1PA
Twitter: http://www.twitter.com/omari_music
Instagram: http://www.instagram.com/omari_music

“Soul” by Black ICE and produced by Kv Bangerz is a cool, sweet song written in key C minor. Instruments like hi-hat, acoustic guitars, and bell instrumentations are employed in the song. The juicy track focuses on cool sounds from the “RnB” genres, pop genres, and soul genres. Its heavy use of acoustics can easily be noticed. The song begins with a spoken word sequence on how a man believes he is about to change the world through his music while an acoustic guitar plays in the background, just before Soul Black ICE begins to sing about how he intends to change the world through his music.

Towards the end of the song, at 1:14 minutes, the spoken word sequence is continued again, stating how the same man traveled round all over the world and finally found what he was looking for, in line with the lyrics being heard in the background as the song continues to play till fade.

Black ICE strums his notes vocally gently and powerfully just as the player of the acoustic guitar. The minimal and simple production of this song is commendable as it is done efficiently. The song is a smooth melodious blend of his smooth vocals and a solid upbeat rhythm track. The catchy lyrics would really put you in the mood to change the world. It is comparable to some of the “A- list” songs with universal appeal. The beats of the song have the aura to make you sway heavily and suavely from left to right in an organized calculated rhythmic dancing fashion. The song has an endearing feel that makes you want to continue to hit the play button over and over again.

Scottie Summers’ “Memories Made In The Coolest Winter” is a uniquely endearing track. The catchy vibes transcend beyond the borders of imaginative illusions. It is all-encompassing as each unique note is distinctively heard, devoid of destructive background effect or interference.

Equally, the production quality is high as it summarizes the meticulous effort of the technical crew.

The flow is crisply smooth while ascending and descending slightly about the mean key. This depicts a great work by a master craftsman. The composition is artistically aesthetic. It is Poetry in motion. The great attitude, character, and total makeup that makes him thick is usually reflected in his music. His sounds and style of “Memories Made in The Coolest Winter” are spontaneous even as Scottie Summers remains true to his style which is powerful and invigorating to the ears. “Memories Made In The Coolest Winter” perfectly encapsulates Scottie Summers’s ideas and philosophies. This track is capable of giving and spreading light to the world. It lights up and charges the aura around with its kinetic groove and can easily pass for his infectious signature.           View this post on Instagram                      

A post shared by Quinn Parham (@scottiesummers)

Lots of rhythms and sounds are put together to give it texture which serenades all through the duration of the song. The resounding hip hop beats continue to resonate in the mind as it mixes with the piano sounds that give it a funky dimension and a dragging pipe alert organ effect that adds soul to it. This is very good work and can be enjoyed at any time of the day

Hey, it’s n.e.r.d. Life by D’Vo and I wanted to encourage you with this song, Elavated Thinkin from The Codex Volume II. You can do anything you put your mind to, yea it may be cliche, but it’s true. When no one else believes in you, believe in yourself and have confidence.

 D’Vo Website > …https://nerdlifebydvo.com/

Q: Can you please tell our readers your real name as well as your stage name?

A:Myreal name is Oury Diallo stage name is wurie  J

Q: Where are you from and Where were you born?

I’m from the Republic of Guinea

Q: At What age did you start making music?

A: at the age of 15

Q: What genre of music do you particularly love? Afro beat? Jazz?  Hip-Hop?  RnB? 

A: I love reggae music, afro beat and Africa traditional music

Q: Who is your favourite artist and why?

A: Steve wonder, akon, Baba mal, Fela Anikulapo kuti

Q: What are your hobbies?

A: reading listening to music on the radio and singing

Q: Do you play any musical instrument?

A: yes keyboard and piano

Q: Where do you get your musical inspiration?

A: I got my musical inspiration mostly around ladies, in a crowd of people, or when I’m driving with taxi or taking a walk in nature.

Q: Do you write your own music?

A: Yes I write and compose my music

Q: If you were given a chance, which Artist would you love to perform with?

A: Steve wonder, baba mal yosundu, angelic kido

Q: What would you like our readers to know about you?

A: I am a Man with lots of experiences despite my current disability which has giving Me more encouragements. I’m not sighted but I am an optimist. I’m also wishing everybody to leave a happy life and have a piece of mind. I repeat again that I’ve been through lots of difficulties in life, words cannot explain it all as a child who lost loving mother at the age of 4, and dearest father at the age of 6 with no sight to see than to feel and smell things. Thanks’ to God  and the people all around me, who have helped me to achieve a good educational Standard up to the University level as a blind child with musical talent. I will like our readers to also have courage and not to be discouraged.

For more info & Bookings> https://niccproject.com/contact-us-2/